机架式延时80 年代的机架式数字延时开创了音频效果器的新纪元，其创新的电子设计能够产生纯净的延时效果，听起来既新鲜又富有创意，同时又具有独特而迷人的音色特征。

几十年后，这些声音依然独具匠心，令人叹为观止。

Delay DoppelgängerDIG 插件发掘了数字延时真正的灵魂，并将其翻倍——两个同时集成的延时效果，融合了 80 年代和现代迷人的机架延时音色。

立即创建复杂的同步回声模式，以及模糊延时和混响界限的催眠和氛围重复。

DIG 的三种数字延时音色各有其独特的个性，令人叹为观止：80 年代早期的自适应增量调制模式、80 年代中期的 12 位脉冲编码调制模式以及现代高分辨率 24/96 模式。

所有数字延迟听起来都一样吗？是什么赋予了数字延迟独特的个性？

70年代末，数字转换技术发展迅速，聪明的电子设计师们不断追求最佳性能规格，并力求达到磁带或模拟电路此前无法企及的保真度。他们富有想象力地突破了转换过程的局限性，创造出了一些意想不到的独特延迟。DIG 完美地展现了这些延迟的个性。

ADM一种1比特、高采样率的转换技术，源于电信语音编码。该转换技术以及支持信号调理、限制和预加重/去加重功能，创造出一种富有冲击力的宽带延迟，随着输入动态的增加，其特性也更加丰富。

Rack To The FutureRack-mount digital delays of the 80s ushered in a new era of audio effects, where the innovative electronic designs generated clean delays that sounded altogether fresh and new, but with special and intriguing sonic characteristics.

Decades later, these sounds remain as distinctive and inspiring as ever.

Delay DoppelgängerThe DIG plugin unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today.

Instantly create intricate synchronized echo patterns, as well as hypnotic and atmospheric repeats that blur the line between delay and reverb.

Each of DIG’s three digital delay voicings has its own distinctively inspiring personality: the early 80s adaptive delta modulation mode, the mid-80s 12-bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

Don’t all digital delays sound the same? What gives a digital delay its own unique personality?

Digital conversion technologies in the late 70s were advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs with fidelity not previously available from tape or analog circuits. Their imaginative solutions to the limitations of the conversion process resulted in delays that possessed some unintended and unique characteristics. DIG beautifully reveals their individual personalities.

ADMA one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis/deemphasis create a percussive wide-band delay that adds more character as input dynamics increase.

支持系统：Windows

文件大小：19MB