界面极简主义，尽可能简洁，页面和标签越少越好——这是我们设计界面时的重点。Tapes 的界面分为两页，第一页仅包含必要的控制选项——音量、采样开始、宏控制——这样您就可以立即开始塑造声音，而无需担心细节。加载大多数预设后，您首先会看到它，它可以帮助您快速找到所需的声音或进一步塑造。

如果您想深入了解这款乐器，可以访问第二页，它分为三个水平部分，包含所有控制选项：

上半部分是”音频部分”，包含所有源控制、滤波器和效果器。中间部分是”调制部分”，在这里您可以找到包络、音序器、LFO 和 MIDI 控制选项。最后是底部部分，顺便说一下，它在两种视图下均可用——它包含用于微调声音（噪音、漂移、压缩、均衡等）的最终控制选项。

声音Tapes.01 专注于合成器声音和声音合成的通用领域。声源由各种硬件和软件合成器及效果器创建——从数字 FM 和物理建模合成器到模拟和数字 Eurorack 模块和合成器。所有内容都录制在磁带、卡带、微型磁带或盒式磁带循环中，因此在开始处理之前，每个声音都已经拥有了良好的质感（这也是因为我们喜欢用磁带录音）。

大多数参数可以通过各种音源进行调制，因此，它虽然擅长创作低保真、温暖且（通常难以预测的）不断变化的声音，但它也非常适合创作现代、电影般的声音，甚至更好——两者兼而有之。我们认为它非常特别——再加上磁带循环的不可预测性，你可能会花费数小时来处理它。有趣的是，就连我们也没想到它最终会如此多功能。

此外，还有全新的 Swarm 模式（除了复音、单声道和连奏等其他模式外）。它非常适合截取小部分声音，并将其融合成更大的循环，或像雨滴一样滴落，甚至将它们变成模糊的声墙，类似于颗粒合成的声音效果。

使用你自己的样本只需将单个音频文件拖放到源 A 或源 B 即可。

声源类型声音每个调都有自己的样本（每个声音 73 个样本）

InterfaceMinimalistic, as simple as it can be, the fewer pages and tabs it has the better – that was our focus when we were designing the interface. Tapes interface is divided into two pages, first page contains only essential controls – volume, sample start, macro controls – just so you could start shaping the sound right away without worrying about the details. In the end it’s the first thing that you’ll see after loading most of the presets, and it’s a nice way to quickly find a sound you’re looking for or to shape further.

If you want to dive deeper into the instrument, then there’s the second page, divided into three horizontal sections, which contains all the controls:

Upper section is the ‘audio section’, it has all the source controls, filter and effects. The middle section is the ‘modulation section’ – here you’ll find envelopes, sequencers, LFOs and MIDI controls. Lastly there’s the bottom section which by the way is available on both views – it contains the final set of controls to fine-tune the sound (noise, drift, compression, EQ, etc.).

SoundTapes.01 focuses on synth sounds and sound synthesis in general. The sound sources were created using various hardware and software synthesizers and effects – from digital FM and physical modelling synths to both analog and digital eurorack modules and synths. Everything was recorded either on tape, cassette, microcassette, or cassette tape loops, so every sound already have a nice texture before you start messing with it (also because we just like to record things to tape).

Most parameters can be modulated by various sources, so while it naturally excels in creating lofi, warm and (often unpredictable) evolving sounds, it’s also great for creating modern and cinematic stuff or even better – a mixture of both. It’s something that, we think, is quite special – add to that the unpredictable nature of tape loops, and you can spend hours messing with it. Funny enough, even we weren’t expecting how versatile it’ll end up be.

Furthermore, there’s the new swarm mode (beside other modes like polyphonic, mono & legato). It’s great for taking small portions of the sounds and smelting them into bigger evolving loops, or rain like droplets, or even turning them into smeared-out wall of sound, similar to how granular synthesis can sound.

Use your own samplesJust drop a single audio file on to either source A or source B.

Type of sound sourcesSoundsEvery key has its own sample (73 samples per sound)

支持系统：Windows.MAC

文件大小：19GB