C3 + C7当 Flavio 和团队决定制作这个采样库时，他们的目标是打造一些特别的、独一无二的作品，真正保留原声钢琴的精髓。我们将采样的艺术与脚本的艺术相结合，力求打造出最优质的钢琴采样，以满足最苛刻的作曲家和音乐家的需求。

XPERIMENTA Due 是我们全新理念的钢琴库，包含两架采用顶级设备录制的优质钢琴，细节独到。

XPERIMENTA Audio Due v1.9.31 KONTAKT 截图 – 一个音色库中包含两款优美的采样钢琴：C7 Gran Coda 和 C3 Half Coda- 14 个半音采样动态层- 16.6GB 空间，9500 个采样，耗时 1 年- 最多 3 个麦克风位置：近距离、播放器（仅限 C7）、房间- 真实的交感共振、泛音和高级重复模拟- 使用”共振峰”、”音调平衡”和内置包络塑造您的声音。- 15 个噪音层（棉花、树叶等）和 9 个乐器层（合唱、康特勒琴等）- 全新！”Feeling”模拟了配重键盘的响应- 全新！Due 现在支持半踏板

每个钢琴家都知道，并非所有钢琴都是一样的。每件乐器的触感和音色都千差万别，有时找到一架合适的钢琴来演绎合适的乐曲至关重要。

正因如此，我们对两种乐器进行了如此深入的采样：我们希望让客户能够自由选择，并以相同的音质进行录制。

录音的艺术经过无数次的测试，我们最终在赫尔辛基西贝柳斯学院工作室的两个音质优美的房间里，仅使用DPA、Neumann和Gefell等高端麦克风录制了钢琴。

脚本的艺术我们模拟了钢琴的声学特性，结合了精细的机械采样（例如琴槌和踏板的噪音）和物理建模的脚本编写理念。

共鸣的游戏我们相信，钢琴不仅仅是声音的简单叠加：事实上，在演奏时，所有琴弦都会在一场复杂的游戏中相互作用。我们通过两种方式重现了这种互动：

C3 + C7When Flavio and the team decided to make this sample library, they had in mind to create something special, something unique, that could really keep the real essence of the acoustic piano. We combined the art of sampling and the art of scripting to make the best sampled piano we could, made for satisfying the most demanding composers and musicians.

XPERIMENTA Due is our new-philosophy piano library, containing two premium pianos recorded with top-end gear and unique detail.

XPERIMENTA Audio Due v1.9.31 KONTAKT screenshot- 2 beautiful sampled pianos in one library: a C7 Gran Coda and a C3 Half Coda- 14 Dynamic Layers chromatically sampled- 16,6GB, 9.500 samples and 1 year of work- Up to 3 Microphone positions: Close, Player (only C7), Room- Real Sympatetic Resonance, Overtones and advanced Repedaling simulation- Shape your sound with “Formant”, “Tone balance” and an integrated envelope.- 15 noise layers (cotton, leaves, etc.) and 9 instrument layers (choir, kantele, etc.)- New! “Feeling” simulates the responce of a weighted keyboard- New! now Due supports Half Pedaling

Every pianist knows that not all the pianos are the same. Each instrument can have a so different touch and color, and sometimes it is important to find the right piano for the right piece.

This is why we sampled two instruments so deeply: we wanted to give to our customers the freedom to choose between two different instruments, recorded both with the same quality.

The art of recordingAfter endless sessions of testing, we recorded the pianos using only top-end microphones as DPA, Neumann, Gefell, in two beautiful-sounding rooms in Sibelius Academy Studios, Helsinki.

The art of scriptingWe simulated the acoustic behaviour of the piano, with a combination of fine sampling of the mechanics (i.e. hammer and pedal noises) and a phisic-modeling philosophy of scripting.

The game of the resonanceWe believe that a piano is not just a sum of its sounds: indeed, all the strings “interact” each other when played, in a complex game. We recreated this interaction in two ways:

支持系统：Windows.MAC

加载方式：Kontakt 7 或 Kontakt 8 加载

文件大小：16GB