CineHarpsichord 是一架 1624 年制造的弗朗哥-佛兰德斯·吕克斯·科尔马大键琴的现代改编版，该琴在洛杉矶索尼影业传奇的米高梅配乐舞台手工采样。CineHarpsichord 拥有四个音栓和三种独特的音效，非常适合用于配乐和古典音乐应用。

主混音 CineHarpsichord 包含 FULL、CLOSE、ROOM 和 SURROUND 混音，与我们其他音色库类似。使用左侧的混音预设，您可以获得各种混音视角，包括 Tim’s Mix（主混音）、Dry and Close、Orch Left and Right 以及可保存的自定义混音。由于大键琴是一种打击乐器，我们延迟了近距离麦克风的音量，使其与房间和环绕声麦克风的音量时间对齐，从而避免了常见的火焰效果。该延迟效果适用于 FULL 混音和 CLOSE 混音。

Cinesamples CineHarpsichord KONTAKT（更新版）截图透视推子CineHarpsichord 包含我们全新的透视模式功能，可通过麦克风位置进行调整。激活透视模式后，会出现一个滑块，可在麦克风透视之间实现平滑的交叉淡入淡出。该滑块会自动映射到调制轮，让您可以即时控制 CineHarpsichord 的相对深度。

音色配置羽管键琴的音色配置是指其包含的弦乐合奏。我们采样的这架现代版 1624 年产的弗朗哥-弗兰德式 Iohannes Rückers Colmar 羽管键琴拥有多个弦乐合奏，可通过切换音栓来控制。这些音栓包括两组 8 英尺长的弦、一组 4 英尺长的弦以及一个软皮音栓（琵琶音栓）——软皮音栓将柔软的皮革压在第一组 8 英尺长的弦上，产生柔和的拨弦音。- 单音：1×8 英尺- 双音：2×8 英尺- 三音：2×8 英尺 + 1×4 英尺- 浅黄色：1×8 英尺

在三音停止时，较低的力度会在弦乐合唱团之间显示出轻微的时间差。这是由于拨弦的物理机制导致低音弦乐合唱团先于高音弦乐合唱团拨弦。在正常演奏中，它们同时发声。

循环借位”循环借位”旋钮利用周围的音符作为额外的循环。值为 6 时，最多可借用 +/- 一个三全音，每个音符最多可额外提供 24 个循环。值为 0 时，每个动态级别可进行两次循环。值越高，循环次数越多，音调变化也越多。

释放音量此旋钮可控制释放采样的音量。注意：这会影响乐器的氛围。

动态通常情况下，羽管键琴的动态变化很小。然而，动态控制允许一定范围内的变化。

CineHarpsichord is a modern adaptation of a Franco-Flemish 1624 Iohannes Rückers Colmar harpsichord sampled by hand at the legendary MGM Scoring Stage at Sony Pictures Studios in Los Angeles. With four stops and three distinct sonic characters, CineHarpsichord will be suitable for use in scoring and classical applications.

The main mix, CineHarpsichord, includes FULL, CLOSE, ROOM, and SURROUND mixes similiar to our other libraries. Use the mix presets on the left for a variety of mix perspectives from Tim’s Mix (the main mix), Dry and Close, Orch Left and Right, and a custom mix you can save. Because the harpsichord is such a percussive instrument, we delayed the close microphones to time-align with the room and surround microphones to prevent that typical flamming effect. That delay is applied within the FULL mix as well as the CLOSE mix.

Cinesamples CineHarpsichord KONTAKT (Updated) screenshotThe Perspective FaderCineHarpsichord includes our new Perspective Mode feature which allows for changes through microphone positions. When you activate Perspective Mode, a slider appears that gives a smooth crossfade between the microphone perspectives. The slider is automatically mapped to the Mod Wheel, giving instant control of the relative depth of CineHarpsichord.

DispositionThe disposition of a harpsichord is the set of choirs of strings it contains. The modern adaptation of a Franco-Flemish 1624 Iohannes Rückers Colmar harpsichord we sampled had multiple choirs of strings accessible by switching stops. These included two sets of 8-foot strings, one set of 4-foot strings, and a buff stop (lute stop) – a stop that pressed pieces of soft leather against the first 8-foot set of strings to produce a muted, pizzicato tone.- Single: 1×8′- Double: 2×8′- Triple: 2×8′ + 1×4′- Buff: 1×8′

On the Triple stop, lower velocities reveal a slight time difference between the choirs of strings. This is due to the physical mechanism plucking the lower choir of strings before the upper choir. During normal playing, they sound at the same time.

Round Robin BorrowingThe RR Borrow knob employes surrounding notes as additional round robins. A value of 6 results in up to +/- a tritone of borrowing providing up to an additional 24 round robins per note. A value of zero plays two round robins per dynamic level. Higher values result in more round robins and more tonal variation.

Release VolumeThis knob offers control over the volume of the release samples. Note: this will affect the ambience of the instrument.

DynamicsNormally there is very little dynamic variation on a harpsichord. However, the dynamics control allows for a certain range of variation.

支持系统：Windows.MAC

加载方式：Kontakt 7. Kontakt 8加载

文件大小：3.5GB